Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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J.M.W.Turner
the dormitorg and trancept of fountain's abbey-evening

ID: 68802

J.M.W.Turner the dormitorg and trancept of fountain's abbey-evening
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J.M.W.Turner the dormitorg and trancept of fountain's abbey-evening


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J.M.W.Turner

English Romantic Painter, 1775-1851, British land- and seascape artist. Born in London the son of a barber, Turner was precociously talented. He entered the RA Schools in 1789, had a drawing exhibited at the academy in 1790, and was elected a full academician in 1802. He became professor of perspective in 1807. A prolific artist of amazing range of subject and style, he began work in water-colours, quickly founding both a reputation and a fortune, which made him independent of changing public taste. His work was not appreciated by everyone, but his supporters included Thomas Lawrence, John Ruskin, and the earl of Egremont. He died in eccentric obscurity under a false name.   Related Paintings of J.M.W.Turner :. | the visit to the tomb | hampton cour from the thames | forum romanum | denis dighton | dutch boats in a gale |
Related Artists:
Bernardino Mei
(1612/15 - 1676) worked in a Baroque manner in his native Siena and in Rome, finding patronage above all in the Chigi family. Briefly a pupil of the Sienese draughtsman and cartographer Giuliano Periccioli, where he learned the art of engraving, Bernardino passed to the studio of the painter Rutilio Manetti and probably also served in the workshop of Francesco Rustici. He painted in and around Siena, where his work came to the attention of Cardinal Fabio Chigi, who, once elected pope as Alexander VII (1655), called Bernardino Mei to Rome in 1657. There Bernardino came under the influences of Mattia Preti, Andrea Sacchi and Pier Francesco Mola, and of Guercino, to the extent that until the 20th century Bernardino's fresco of Aurora in Palazzo Bianchi Bandinelli was attributed to Guercino himself. Through the fast friendship that bonded him to Gian Lorenzo Bernini, whose studio he frequented, he applied that sculptor's sense of theatrical action to his own mythological and allegorical subjects. He died in Rome in 1676.
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